Archive for February, 2013

Let’s Watch Fate/Zero, Ep 22

February 28, 2013

All the Evil in the World

Waver is tired as he finally made it home. Grandpa MacKenzie waves to him from up on the roof and wants to talk to him. Waver doesn’t really want to, but Rider encourages him.

So Waver gets up, and Gramps tells him that it’s the best place to see the sunrise. He used to do it all the time, and when Waver didn’t come back, he figured he’d wait up on the roof for the sun to rise and his grandson to return. We find out when the MacKenzies first moved to Japan, they did it with the dream that they’d start a new life here, and eventually they’d end up with a house full of grandkids that they’d take stargazing every night, but their real grandkids never showed any interest. Huh. So he knew. Probably from quite a while ago, since he adds that he’s not sure why they were so convinced – Waver was too nice to be one of their kids.

Waver is now embarrassed and asks if Gramps is angry with the whole hypnosis thing. Old Mackenzie replies that he supposes he should be, except his wife’s been so happy since Waver’s been around, and he doesn’t seem to mean them any harm, so he’s okay if Waver sticks around for longer.


oh. my feels. all of them.

Waver apologizes, but he and Rider might be dead b the time this is all over. Gramps is somewhat surprised that it’s something they’re risking their lives for. He leaves Waver with the advice that while he doesn’t know what’s so important, but once you get to his age, you realize nothing more important than your own life.

And now I have a sad because this is really kind of like Gran Torino, except Grandpa MacKenzie isn’t Clint Eastwood, so instead of having a fearsome angryface and a sweet ride, he just has to settle for being reminded every day of the dream he had never coming to pass. And it takes Waver literally strolling in and brainwashing him and his wife to allow them to indulge in this fantasy for a couple months before it eventually has to end anyway.

Cut to a temple…OH SHIT IS THAT THE TEMPLE FROM FATE/STAY NIGHT?


Finger off the trigger when not shooting stuff. Yay gun safety!

It’s been 40 hours since Kiri slept. We learn that in order to call forth the grail, you have to do it at one of the four key ley lines intersections in the city. He hasn’t seen Kirei two of them, which leaves the temple and the civic center. He muses that had Maiya been alive, he could have stationed her at the civic center, but now he’s alone again. Then Saber shows up and he realized he’s never counted Saber as a teammate. Anyways, Saber’s scoured the city looking for Iri but found nothing. Cut to Kirei, who’s got Iri in a magic circle.


The opposite of a circle of life. So, a circle of death.

It’s in Caster’s Master’s old lair. The Grail War is about to end, Kirei says to Iri as she wakes up, and he’s probably going to win. Iri denies this, saying that Kirei’s forgetting about Kiritsugu, and how Kiritsugu has the advantage of being able to see right through Kirei, but Kirei doesn’t understand Kiritsugu at all. This riles Kirei up, and he begins choking Iri, ragefully asking her how they are different. To Kirei, they’re the same – they both do nothing but kill people, be it on the church’s orders or for money. But, he challenges, if they’re really so different, what does Kiritsugu want from the Grail?

Iri answers: World Peace.


No war, and no violence too. Seems hard to imagine, but it’s easy if you try.

Kirei dismisses it as naive, and Iri retorts that that’s why Kiritsugu is asking the Grail to do it. Since it requires such a radical alteration of the human condition, he knows that nothing short of a miracle will accomplish this. Thus, ask this reality warping artifact to rewrite reality such that there will be no more wars-


What’s that, Irisviel? You have a bone in your throat? Here, let me fix that for you.

Aaaaand necksnap. Alright, wasn’t quite expecting that. Looking up from his handiwork, Kirei announces that he now has a reason to fight – finally, he understands Emiya Kiritsugu, this mystery he had been struggling with since episode 1.

Back in the MacKenzie residence, Waver is sleeping while Rider reads…it looks like the book about himself? Waver stirs, and admonishes Rider, since he was supposed to wake him up at night, but Rider thought it’d be better if they waited and rested up. He has a feeling that everthing is going to end tonight. It’s only the powerful enemies left now…and a mana burst just flew from the sky.

It’s the magical equivalent of flares, and Waver notes that together, the spell out “Victory Achieved”? Can’t be from the church, based on trajectory, so it wasn’t the mediators deciding this, but rather someone’s getting uppity. It’s a challenge. Rider, naturally, decides to meet it. He calls upon Zeus’s lightning for his mount…


Hey, Rider, you don’t have a mount, your chariot got totaled by Saber remember?

OH SHIT IT’S BUCEPHALUS! The beloved horse of Alexander the Great, considered wild and untameable until a young Alex stepped in, wagered that he would either tame it or pay the horse dealer the full asking price, then proceeded to do so by observing that it was merely spooked by its own shadow and turned it towards the sun, calming it down enough for him to mount. From then on, Alexander and Bucephalus became entwined in legend, such that it was said the two were actually born and died on the same day. This also kickstarted the trend of conquerors being obliged to have a favorite horse, which is why Roman emperor Caligula held birthday parties for his own steed and wanted to make it a consul. According to Nasu, Becephalus itself is so famous that it actually qualifies as a Heroic Spirit – the King of Horses, as it were.


By decree of Bucephalus the Magnificent, *shades* the neighs have it. WHINNYYYYYEEEEEAAAAHHHHH

Granted, this does lead to the fridge logic of why didn’t he summon the horse so they could ride back, but yay history! Anyways, as Iskander saddles up, Waver raises his right hand. He’s using his first Command Spell to order Rider to be victorious. Well, Command Spells are able to provide a boost of power to allow a Servant to do things he might not otherwise be able to do, and this late in the game, might as well use them. This one’s a pretty specific order also, so the compulsion factor is raised as well. Waver commands him to be victorious. Wait, now he’s using another one to order Rider to obtain the Grail. And now he’s using his final spell to order Rider to conquer the world! Oh shit, in a lovely culmination of characterization, Waver just used all his Command Spells, effectively freeing Rider from his summoning contract as well as freeing himself from the Grail Wars! The Grail, proving his theories, everything, it’s no longer so important as living his life the way *he* wants to, rather than than letting it be ruled by the opinions of others. Go on, Rider! Do the things you want!


Like Frankie said, do it your way! Just live while you’re alive!

…and then Rider picks him up and sticks him in the saddle again. Hell yeah Bro-Rider! You are no longer my Master, he tells Waver, but you are my friend. Join me on this excellent adventure!


My feels, they are melting.

As are Waver’s, he’s even doing the Hinata-fingers!


Iskander-kun!

Now that they finally made their relationship official, Rider’s first order to Waver is to simply sit tight and watch him kick ass.


Ride into the danger zone!

Meanwhile, in the MacKenzie residence, Grandpa MacKenzie is smiling…


Urgh. Dammit show, my feels can’t take it!

Kiritsugu recognizes that whoever launched the flares chose the worst possible place to hold the Grail summoning ritual – the Civic Center. I guess the point is that thinking that due to heavy muggle presence, it will force the other Masters to pull their punches, so Kirei can use Archer to kill all the other Masters from range? Although Kiritsugu can’t possibly have known about all that, unless at some point it was relayed to him that Kirei is still sufficiently in the game for him to piece the backstabbing together and…meh. He figures the best thing he can do is just attack head-on.

Cut to Gil, who is amused at how fierce Kirei looks. So what’s the plan, he asks. Kirei figures that unleashing Gil’s powers at close range might damage the Grail, so if he wants to go all out for this final fight, stay far away. Gil raises an eyebrow. What if you’re attacked, he asks. Kirei, demonstrating more EQ than Tokiomi, responds with “I’ll use a Command Spell”, but phrases it as a “if you don’t mind” kind of request, to which Gil acquiesces. He’s a little disappointed though that Kirei still doesn’t really have a wish beyond “let the fight be uninterrupted.” As Gil exits, he advises Kirei that if both Berserker and Saber show up, let the two of them fight it out, and also asks about what happened to Irisviel.

Kirei shrugs. I killed her. NBD.

Cut to Einzbern castle and A FUCKING MOUNTAIN OF IRI CORPSES WTF


Hello, nightmare fuel!

Cut to Iri comforting Ilya by her bedside. Oh, are we inside Iri’s head? Ilya had a bad dream – she turned into a cup with seven lumps inside OH GOD SHE’S A HOMUNCULUS TOO. Iri comforts her that everything will be okay, Kiritsugu will make his wish and she won’t have to worry about it and OH GOD ONE OF THE IRI CORPSES JUST SMILED.


Sweet dreams!

A shadow envelops everything, and hands begin to drag Iri into it.


WTF IS GOING ON.

We end with Iri realizing that she’s somehow inside the Grail, and it’s not at all what she expected.

Final Thoughts:

Well. This show finally figured out how to do downtime. Good deal of character development for Team Rider. We see Waver grow from the young boy who wants to be recognized to a more mature adult who’s learned to decide for himself what is important in life. We’re also seeing him grow apart from the traditional mage mentality of being so superior to muggles – he didn’t really give two thoughts about hypnotizing an old couple into thinking he’s their long lost grandson, but now he actually ends up feeling bad about it, and really, this would have been a more effective way of doing “mages are jerks!” than that bit with Kiritsugu’s dad, but I digress. More importantly, we also see Rider himself change from the cocksure King of Conquerors to someone who’s learned to be more introspective of himself. It’s a subtle process, but contrast how he was at the beginning – certain his way is the correct way and derisive of Saber’s approach to kingship – to how he is now – more withdrawn and methodical. Especially given the events of the last episode, where he finally pitted his style of kingship against Saber’s to surprising results. Iskander cast his Gordius Wheel, the chariot representing his drive for conquest, against Saber’s Excalibur, the representation of all the hopes of everyone who believed in King Arthur’s protection, and the followers’ desire for safety utterly vaporized the soldiers’ desire for more stuff. And coming from the era of might makes right, Rider has to concede that Saber, at the very least, has a point here. After all, their approaches to kingship aren’t necessarily exclusive – Iskander’s historical fondness for leading charges from the front is pretty similar to Arturia’s need to be the paragon, and it’s really only Arturia’s belief in leaving others alone versus Iskander’s use of conquest as motivation for his subordinates that is their main difference.

The inclusion of Waver’s fake family is a nice touch, showing that life goes on outside the scope of these mages and their secret war. It’s also a good developing moment for Waver, and squares with Rider’s earlier advice to him that nobody said the Grail War had to be the most important thing in his life. Indeed, he made an old couple happy for a few months, and that’s always worthwhile, right? And on a personal level, that hit me in the feels. See, my parents went to the US to pursue higher education and employment opportunities, so from up until I was six, my maternal grandparents took care of me. And then I came here to the US with them, and they returned to China. And so every time I go back, I’m visiting my grandparents, but at the same time there’s not so much a cultural gap as just an experience gap. I grew up here in middle class household going through American public education and American college. They lived through like the Japanese occupation of China and the Chinese Civil War and the establishment of the People’s Republic and the Great Leap Forward and the Mass Campaigns and the Cultural Revolution and the Deng reforms and…well, it’s hard to connect. And I feel bad that it’s hard to connect, because I feel like I owe them a lot for bringing me up in my formative years. And it’s worse when I visit my dad’s side of the family, because I never really met them as much. It feels pretty terrible when I’m sweeping my paternal grandfather’s tomb on Qingming, because apparently he was a really smart and cultured guy, but I never got to know him. So…the MacKenzies’ grandkids, who eventually grew so far from their grandparents that Waver being nice was a sign that he’s probably not their real grandkids? Ending up like that, not even purposefully but on accident, is a real fear of mine.

So I’m gonna think happy thoughts about the Asian kid who got Clint Eastwood’s Gran Torino in, well, Gran Torino.

Until next ep.

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Let’s Watch Fate/Zero, Episode 21

February 27, 2013

Knight on a Two-Wheeled Steed

Open to Kiritsugu closing Maiya’s eyes, as Saber chases Rider.


whurr da Sabine women at?

Rider hops from roof to roof, while Saber chases him through the streets on her motorcycle. She uses her Class Skill: Riding to push her motorcycle beyond its limits, allowing it to pull insane crazy things like accelerate beyond its listed max speed and turn tight corners at super high speeds. Unfortunately, since she’s in the city and on the ground, she quickly loses line-of-sight, but that is of no import, as she can sense his Noble Phantasm.

Meanwhile, inside Gordius Wheel, Waver notices Saber gaining on them. Wait a minute, I thought Waver wasn’t in the chariot at first? Or did Rider pick him up? Anyway, Rider sees it too and asks whether motorcycles are supposed to be that fast. When Waver replies that she’s probably using her Riding skill, Rider naturally decides that now would be a good time to get his inner Ben-Hur on and have a good old chariot race.


Class Skill: Riding? But that’s no horse! She’s just got two wheels and she’s revving them together!

Cut to Kiritsugu, seeing a burnt passport? Cut back to Saber, continuing to push that bike. She releases Invisible Air to make a wind tunnel that increases its speed and removes air resistance. Rider is super amused at this, summons up Zeus’s thunder through the wheels of his chariot, ad tears up the road while cutting up the side of the mountain to create obstacles. “EAT MY DUST,” he calls out. But she counters it by materializing her armor around the bike, then ramping off the highway to slam right into him for some glorious broadsword-on-xiphos action.


How the hell did you get the Lightning Bolt while in the lead? I call h4x!

This stops the race, but as it turns out…Irisviel isn’t with them? Cut to Kiri and some tied-up dude with purple hair.


WHERE’S MY MONEY? WHY AIN’T YOU WORKIN’?

Kiritsugu’s deduced that Matou kidnapped Iri somehow? After some Jack Bauer interrogation method, Kiri learns that Kariya Matou is with some observer from the Church (that is, Kirei). on him when he asks where Kariya is. Guy says he’s with an observer from the Church. Cut to Kariya and Kirei standing on the balcony, and apparently they had someone pretend to be Rider somehow, and it was just a happy coincidence that real Rider showed up randomly. Kariya revealed that in order to create the deception, he had to use two command spells, but Kirei replenishes them.


When you’re good to Mama…

Interestingly, his Command Spells are shaped like a triskelion (that Celtic symbol that’s like a three-legs joined at the hip circle thing, currently still the coat of arms for the Isle of Manx). We also find out Berserker can transform into other Servants. Because his actual legend involves him disguising himself as other knights, so as a Servant he can adopt the appearance of other Servants, right down to their Noble Phantasms. So this means I got trolled last episode, but that’s perfectly fine. Plot twists are wonderful anyway.

Again, I got spoiled for his identity, but: a mystery knight who is good at fighting and has a mad hate-on for Saber. I wonder who that could be?


You alright, bro? You don’t look yourself.

They question whether she is really the Grail’s vessel. Kirei answers that to be precise, she’s actually the grail’s contents, but it doesn’t really matter. He says he doesn’t mind if Kariya has the Grail. Kariya reminds him that he has another promise to fulfill first, and Kirei agrees. Come to the church at midnight, he says to Kariya, and that promise will be fulfilled – you will get to fight Tohsaka Tokiomi.

LOL WTF Kariya you’re getting trolled.

Kariya leaves…and Zouken’s there?

Cut to Rider, still in a face-off with Saber. He plans to charge, relying on the speed of his chariot to blitz Saber before she can finish activating Excalibur. Waver has doubts, but Rider believes it’s so crazy it just might work, and then once Saber’s defeated he can have her join his army. Waver realizes that for Rider, conquest was never about taking land or treasure, but winning the hearts and minds of his opponents and gaining them for his own side. Anyways, Rider snaps his reins and charges forth, calling forth Zeus’s lightning as he unleashes the true name of his Noble Phantasm: Via Expugnatio.


Bet you wish you had that blue shell now!

Cut to Kirei, asking what Zouken’s doing here. Turns out Zouken’s always been watching, and he’s just curious at what Kirei’s got in store for Kariya, and he’d be willing to lose the Grail War if it means Kariya gets screwed over. Kirei thinks that’s kind of stupid, and Zouken calls him a maggot. He gets a knife to the head for his trouble, but it’s not very effective. Feed your dark side, Zouken says, before disappearing.


You could say that’s how I got ahead in life

From his vantage point, Kirei sees the energy flash of Excalibur.


Britons never shall be slaves indeed.

Cut to Waver and Rider, surrounded by scorched ground. Rider realizes he misunderestimated Saber’s strength, and his chariot got totally vaporized. Waver tells him to use Ionioi Hetairoi, but Rider shakes his head as they’ll need that against someone else. Saber drives off, and Rider comments that motorcycles are pretty awesome, maybe he should get one…and also since Gordius Wheel is now vaporized, they’ll have to walk back to town.


Rider and Waver, hanging in a tree…

Cut to Kariya walking to the church, internally monologuing about how he doesn’t know how much longer he has, but he’s not done yet, he can’t be done yet, he still has a job to do! He sees Tokiomi sitting in the pews and staggers over, rage driving each step. “You think you killed me,” he says. “It’ll take more than that to kill me,” he says. “I’ll make you pay for everything!” He makes his to Tokiomi, but as soon as he reaches the row, he discovers that’s just the corpse. Shocked, Kariya recoils, causing the body to fall to the ground…and now Aoi shows up.


What a tweest!

Oh Kariya…you got TROLLED.

Her voice trembling, Aoi asks if Kariya is finally satisfied. Now that Tokiomi is dead, House Matou is sure to win the House Cup – er, the Grail Wars now (um, lady, you’re kind of forgetting Kiritsugu here). “Was taking Sakura from me not enough?” She asks. “You had to kill my husband too?”

Um, woman, Kariya didn’t take Sakura from you, Zouken and Tokiomi did and you agreed to give her away. In fact Kariya told you like ten episodes ago that he’s fighting so Sakura would be returned to you. But logic doesn’t matter to a grieving woman or to an author who apparently hates the idea of justified vengeance, so she’s getting all hysteric and screaming that IT’S ALL HIS FAULT, that he was never happy with being a mage, so he didn’t want anyone else to be happy, and how could he understand, he’s never loved anyone!


Sweet dreams, guys. If nothing else, this show is extremely good at drawing crying people super scary.

This last line makes him snap, and his inner/outer monologue reveals that he did indeed love someone who was kind and warm (coughAoicough). No animations is present here, only black, with the occasional flash of still images of him choking Aoi, loving drawn in rapey imagery.


Yeah…safest pic I found.

By the time the rage quasi-subsides, Aoi’s now either dead or catatonic, and Kariya realizes what he’s done…and now he’s full on crazy, lurching out of the church in a daze. We see that from the upper balcony, Gil and Kirei have been watching, amused at the epic trolling they just pulled off.


u mad bro?

Gil hands Kirei a glass of wine, and Kirei notes that the wine is tastier than he remembers. Apparently evil does taste good, and Gil ends the episode saying that this is just step one of the super fun path to darkness.


SCHADENFREUDE! People taking pleasure at your pain!

Final thoughts:

Pretty good episode. I think if I beat it any more, the “dammit Nasu why u make Kariya crazy” is gonna be an undead horse, so I’ll stop. Instead, I’ll just say why they should not have done it that way, namely that while most of the Masters are not implicitly criticized for their goals even if their methods are less than clean (Kiritsugu, I’m looking at you), it stick out like a sore thumb when freaking child-murdering Uryuu gets almost a “poor guy, he’s just mentally unbalanced” treatment when Kiritsugu finally Old-Yellers him, but Kariya gets to be crazy stalker because he might have still loved a woman who married someone else and was harboring hopes that she might just finally come around and love him back if he does enough things for her. Yeah, Kariya might be one of those “fake nice guys”, but at least fake nice guys still pretend to be nice most of the time and usually lack the balls to actually do anything bad. And a fake nice guy saving a girl from being rapeworms is still heroic no matter how you slice it. Making him crazy and focusing on that aspect only detracts from whatever inherent goodness there is in that action. It also means that for the final choking bit to happen, we have to have Aoi be dumb and pull a Kiritsugu – that is, blame Kariya for stuff that not only wasn’t his fault, but the opposite of what he was trying to do. In fact, I’d consider Aoi’s reaction to be worse, because Kiritsugu is a kid and therefore expected to be dumb, whereas Aoi’s a grown-ass adult who knows what’s up and yet breaks down into stupidity anyway.

I’ll probably have more to say about this subject when he finally bites it (not a spoiler, Kirei is the only one to survive into Fate/Stay Night, and we know from that series that Saber won the last one).

Anyways, good amount of action, beautiful choreography, nice characterization for Rider in that we see how he reacts to defeat and being wrong, as well as exploring Berserker’s nature. We’re making pretty good progress towards the endgame here.

Oh, and EPIC TROLL by Gil and Kirei. Holy crap.

Headcanon now says that since Fate/Zero takes place in the 90s and 4chan was launched in 2003 according to wiki…Gilgamesh can use the the Gate of Babylon to spam and troll faster than any mod can delete or ban.


I am anonymous. I am legion. I do not forgive. I do not forget. Expect me.

Let’s Watch Fate Zero, Episode 20

February 26, 2013

The Assassin Returns

Open to Kiri who’s returned to the base to meet up with Maiya again. On the ground is Iri, still inside the magic circle. She’s glad that he came to see her again, and says it’s time to return Avalon to Kiritsugu, and it materializes out of her gut. Iri knows it’s about time for her to expire. She says that she’s happy because at least she knew love, and had a husband, and a daughter, even though she was never meant to have any of that. She tells him to win, and when he does, to save any happiness he has left for Ilya, to bring her to Fuyuki and show her all the things that Irisviel won’t be able to see.

Well…Ilya did end up making it to Fuyuki, although her experiences there were probably not what Iri expected.

Anyways, Kiritsugu agrees, takes the scabbard, and exits, predicting that Saber’s gone to find Rider for another one of those honorable fair fight things. He says he’ll go to find Tokiomi, since Archer’s probably doing the same thing, leaving Tokiomi unguarded. In the meantime, Maiya should stay and guard Iri. Maiya acknowledges the order and notes that it’s been a long time, but Kiritsugu finally looks like his old self.


YOU GOT THE TOUCH

Cut to Waver doing shopping while Saber drives around. Meanwhile, Kiritsugu scopes out Tohsaka Mansion, but finds there is no magical barrier. Now Waver is in a forest, nomming bento. Rider’s voice appears to ask him if it’s any good – so Rider is unmaterialized? Waver answers that it sucks. They in the location where Waver summoned Rider the first time, so Rider should recover more quickly from using his Ionioi Hetairoi on Caster’s monster.

Aside: Servants gain terrain bonuses in two ways. One is to be fighting where they were summoned. Another is to be on their home turf. So if the Grail War was to happen in Greece, Rider would also receive a boost to his power. Thus raising the question – why didn’t anyone try to summon a Japanese hero?

In the meantime, Waver will be sleeping all day. He instructs Rider to take as much mana from him as needed, as long as it’s not so much Waver dies. You know, Waver, you shouldn’t sleep in a clearing. At least magic up a treehouse or something. It would be pretty embarassing if it wasn’t a rival Master or Servant that did you in, but some random bear in the woods.


Kind of like this, except replace the blue sky with a mouthful of teeth.

We learn that Rider’s been drawing on his own mana instead of using Waver’s because Waver is still young, and Ionioi Hetairoi uses up so much mana in one go that drawing from Waver’s reserves might kill him. Anyway, Waver is cool with Rider taking his mana. By Waver’s thinking, he volunteered for the Grail Wars, so he should be the one to shed blood in it. He just wanted to prove his theory that skill and intelligence can overcome his lack of pedigree. Rider then points out that that is only true if the Grail exists. And in a nice bit of character development, he tells Waver to remember that Alexander the Great waged an endless war to see where the world ended at Oceanus. At the time, neither he nor any of his followers could have possibly known it existed, but they marched onwards anyway due to the hope that Alexander inspired in their hearts. It then hit him back in episode 13, when he got ahold of a modern map and realized that not only was the world round (and thus had no edge), but his own conquests amounted to such a tiny part of it. That when when he realized he pretty much sent those people to their deaths for nothing. Consistent with what he said to Saber back in episode 11, he won’t wish it never happened, but he will act to make sure he never causes anyone to die for a nonexistent goal again.


It’s a small world after all, Alex.

As Waver drifts off to sleep, Rider decides to go after Saber again. He considers it his responsibility to defeat her, because it would be so sad if he couldn’t beat some sense into her head.

Cut to…Berserker? Giving a I AM THIS EXISTENTIAL CONCEPT speech to Kariya in his mind. I am the hammer! I am the hate! I am the terror that flaps in the night! He starts choking Kariya like one of Wayne Brady’s bitches…and then Kariya wakes up and finds himself all chained up somewhere? Oh jeez, it’s Zouken Matou, coming back to note how pathetic Kariya looks. Grandpa Matou didn’t expect Kariya to last this long, so he’s going to give Kariya a trump card…nom worm. Zouken explains that it was the first thing to rape Sakura, and has drained a year’s worth of vitality from her. Thus it’s a top shelf mana source, good to the last drop.


Slimy yet satisfying (hey, just be glad I didn’t title this “2 Guys 1 Worm”)

Jeez, Matou, why do you have this magic? It’s, like, stupid. It’s not like it confers any advantages compared to any other magic in existence. Please go die in a fire already.

Cut to Iri, asking Maiya why she joined Kiritsugu. Maiya’s explanation is interspersed with shots of Kiri doing a room clearing. Turns out, Maiya Hisau wasn’t her real name. It was just the first fake passport Kiritsugu gave her, and she never had a real name. See, she was from a country that was poor and always in war, and eventually they figured out child soldiers is cheaper than normal soldiers. She says it surprises her that Iri fights so hard to change a world that she knows nothing of, because Iri lived in a castle and was privileged and couldn’t possibly understand what it is that all the poor people actually went through. Turns out, Maiya’s right – Iri actually doesn’t understand. She’s just always told Kiritsugu he was doing the right thing. “Do you have no wish of your own?” Maiya asks. Iri says no, her only wish is for Kiritsugu and Saber to get the Grail. Not, as Maiya thinks the first time around, to obtain the Third Magic (whatever that is), but because if Kiri gets his wish, all the wars will end. And she wants the Grail Wars to end. Otherwise Ilya will be next, being the heir of Einzbern, to be turned into a homunculus solely to act as a vessel for the Holy Grail at which point her body will deteriorate just like Iri’s did. She just wants her daughter to live a normal life, in start contrast to Tokiomi’s attitude that better he gives a daughter away so she can become a mage than to raise her as a muggle. Iri asks Maiya what she will do once Kiritsugu wins. Maiya expects there’s no place for her in this post-Grail world. After all, what’s a soldier to do in a world without war? Iri suggests she should look for her family. Maiya shrugs.

Cut to Kiri, finding out conclusively that Tokiomi is dead.

Cut back to the base, where suddenly, someone has kicked through a door! OH SHIT IT’S RIDER. Maiya draws her SMG, but the bullets have no effect, and he smacks her into a wall.


Silly bitch, your weapons cannot harm me! Who the hell do you think I am? I’m Iskander, bitch!

Kiritsugu senses something wrong and immediately uses a Command Spell to force Saber to materialize, but she’s too late as Maiya lays there in a crumpled heap. Maiya tells Saber that Rider took Iri and is flying away. Saber orders Maiya to stay alive until Kiritsugu shows up, then mounts up on her motorcycle to pursue.


We abduct her like Paris (of Troy) and they going gorillas

Night falls. Kiri shows up, and is sad that Maiya is about to die. In a decent bit of characterization, we learn that even present-day, jaded, and cynical Kiritsugu still has tears for an old comrade.With her last breath, she tells him not to break down. This morning, he finally looked like the old killer Kiritsugu, and he’s got a job to do. And in her final moments, Kiritsugu tells her that her job is now complete.


+2 Paragon

This is also a good illustration of why sane rational characters are great – they enable less-is-more because you can make reasonable assumptions about how they roll. Thus, we didn’t really need to know anything about Maiya’s background prior to this episode, we can simply infer that Kiritsugu must have done something really important for her and that they’ve shared a lot of history together for him to receive such devotion on her end.


Goodbye, Maiya Hisau. Old soldiers never die. They just fade away.

Final thoughts:

Not bad as far as downtime episodes go. Plot manages to move forward with every piece, and we get character development to go with it. We gain understanding in why why Maiya is so emotionless (being turned into a child soldier will do that) and so devoted to Kiritsugu (being saved from that life by someone will do that). We gain understanding into Iri’s character, why she was so supportive of Kiritsugu and why she’s so taken by his ideals (when you are given all the faculties of a human being but know that all you were ever meant to be was a tool, and someone treats you as an actual human being, that’ll happen). And it’s also rather well-done, a good example of the less is more approach – we don’t need to see everything Kiri did to woo her or convince her, or even her taking care of Ilya. We just need to see her happiness at having a daughter and then her soliloquy here to know that yes, Ilya is extremely important to her, she has developed love for her daughter, and thus her mama bear instincts are kicking fully in.

We got some nice development for Team Rider too, showing how the war has changed both Waver from an impulsive youth to someone who begins to understand responsibility, and how it tempered ever so slightly Iskander’s brashness. And in the end, we do see Rider’s more pragmatic side showing – he is, after all, a military leader, and wars aren’t duels. Thus to him, despite the power differentials, there’s nothing wrong with smacking Maiya aside like a fly – she did shoot at him first – nor with kidnapping Iri to force a confrontation – all warfare is based on deception. While it might not be the perfect way to win a duel, it is perfectly consistent with the laws and customs of war.

This one also follows the previous episode very well, with Kiritsugu’s sendoff of Maiya steeling his resolve to see this war to the end mirroring his sacrificing of Natalia beginning his road down the path of utilitarian heroism.

Alexander the Great vs King/Queen Arthur/Arturia.

Rather stoked for the second installment of the Clash of Kings.

Until next ep.

Let’s Watch Fate/Zero, Episode 19

February 21, 2013

Where Justice Dwells


Hey, vuja de…

We open to a dark surgery room. it’s adult Kiri and the smoking lady. She’s transplanted the Emiya crest to him, which causes pain for some reason; wiki says it’s literally a magic circle carved on to the body that makes the owner more adept at whatever spells were inscribed, thus allowing magical families to continue to pass down their magical research. She says he has “severing and binding” as his Origin. They still don’t explain what that is, though based on context and wiki it’s kind of like the “base type” of their magic. This is different from destroying and regenerating, b/c thread analogy – if you cut a thread and tie it back together, you end up with a knot.

Anyway, she segues into explaining that she has finished making his Mystic Code. They still don’t explain what it is, though based on context and wiki it’s a personal armament specific to each mage, sort of like their own version of the Noble Phantasm. Kayneth’s was the Volumen Hydrangeum, Tokiomi’s was his wand, Kiri’s here is the Thompson Contender and the 66 anti-magic rounds, made using his ground up ribs so that shooting a mage with it inserts his “severing and binding” Origin into their own, cutting up their magic circuits and preventing them from being formed again.

Cut to dude fleeing. Looks like Kiri and smoking lady hounding him. Kiri chases him to an ambush by her…and she cuts him off but then lets him go.

Dammit why didn’t you shoot him…oh, it’s so Kiri can.


Emiya Kiritsugu is about to shoot you in the face.

Mm. Still not the best move. What she should have been doing was just…shoot the mark while he’s surprised by her presence. Kiritsugu’s not using the Contender, so we know the guy isn’t a mage strong enough to be worth using it on. Not a promising scene for a show that was so good about smart people fighting smart.

Cut to zombie outbreak flashback. Oh, it’s an anachronic order episode.

Smoking lady’s name is Natalia Kaminski. She hunts mages apparently, as a merc who makes her living by the conflict between the Church and the Mage Association. Child!Kiritsugu wants to tag along on her missions, and we get a long string of scenes of her not letting him, along with him getting more proficient at guns.


How do I fixed gun?

“Since then, I learned that what happened with my father was not the first time mages have gotten people killed.”

GOD DAMN IT SHOW


SERIOUSLY. NOT. HIS. FAULT.

Cut to montage of adult!Kiritsugu killing a bunch of people, presumably bad, and him being on a modern battlefield. He and Natalia are pinned down behind cover, and a couple meters away there’s a pair of civilians doing the same. The civilians decide to run for it, and Kiri wants to sprint out of cover to stop them, but Natalia pulls him down. Reality ensues.


Isn’t it sad, Kiritsugu?

Kiri takes this badly. “I killed my father so no one will be victimized again!” He says.

FUCK YOU SHOW.


SHE FUCKING VERBALLY ADMITTED TO YOU THAT THIS WAS HER OWN DAMN FAULT  YOU DUMBASS.

Natalia, meanwhile, scoffs at his ideals. Killing one bad guy won’t work. Even killing a hundred bad guys won’t. To prevent anyone and everyone from being “victimized”, you’d have to kill every single bad guy, and maybe that will work.

…That was a joke.

Flashback to when Natalia first took Kiritsugu off the island. He’s still recovering in bed, while Natalia tells him to survive at all costs. If he sacrifices himself, he can’t save anyone. Kiri responds that he just wants to save as many as he can.

Heh. In Fate/Stay Night, his adopted son Emiya Shirou would eventually have an even grander goal of “save everyone, and it’s okay if I die, but not if anyone else dies!”

Natalia gets a call, and something comes in to the fax. They have to take out Odd Vorak, who uses bee familiars to turn people into zombies. Dude wiped the last town he was in, making Kiri think about his island. Then he bums his first smoke off Natalia.


LOL people used to use those.

Anyway, they’ve found Vorak’s flight, and Natalia reveals he got away from her once.

…Natalia you’re gonna die.

Since Vorak won’t have access to his bees on the plane, he must have an accomplice waiting at the airport who will pick up the box of bees from the baggage claim. So the plan is for Kiri to take out his accomplice, while she takes Vorak alone.

Yeah Natalia you’re totally gonna die.

She takes a seat behind Vorak on the plane and draws a magic seal on his seat, while Kiri snipes Vorak’s buddy. “Easier than expected,” Natalia says, as she finds the box of bees in the plane’s hold and pours some kind of incendiary liquid on them. “Bag’em and tag’em.”

Ready to die yet, Natalia?

Sure enough, things go south when it turns out that Vorak’s got a second supply of bees tucked inside his body, as a final fuck-you in case anyone manages to kill him. Upon his death, they spill out and turn the whole plane into zombies.


Bee happy, bee healthy

Natalia can think of only one thing to do right now – get to the cockpit somehow – and tells Kiri that she’ll come back.


Don’t make a guy promises that you can’t keep.

Later, Kiri gets a call. Natalia is still alive, the plane is still in the air, it was hard, and she spent forever trying to fix the radio, but she can fly it just barely. But…everyone is ghouls. They’re scratching at the doors as she speaks. She can land the plane, but can’t figure out what to do about the monsters. Luckily, Kiri has a plan, which apparently involves him getting on a boat.

Natalia is like, okay. It’s going to be 50 minutes before she reaches the airport anyway, so in the meantime, she starts talking to Kiri. We get a bit of characterization from Natalia, how meeting Kiritsugu and taking him in kind of changed her a little. At first, she didn’t know what to think when Kiri said he wanted to work with her. She’s a battle-hardened soldier, but it seemed like Kiritsugu got ready to kill a little too easily. True, this makes him a good fit for the mercenary life, but something told her she didn’t want him to turn into a machine that’s only good for killing. Being defined by what you’re good at and not by what you want, that’s no way to live, which kinda sorta mirrors Rider’s admonishment to Saber about how you need to live for what you want instead of letting your life be defined by things like “duty” or “propriety”. Over the course of her life, she’s ended up becoming Kirtsugu’s mother figure, and expresses…not so much regret as more just resignation that while normally, a guy’s father is the one who is supposed to teach them stuff, she kind of took that chance away from him. Kiritsugu is fine with this though, accepting it thoroughly as he’s getting out a bazooka.


Kiritsugu’s a smart guy, what’s he gonna whip up to save every- oh.

“You are…my real family,” he says, blowing the plane to smithereens, Natalia and Zombies and all.


+25 Renegade

Cut to flashback. Kiritsugu thinks of Shirley, of how in his youth, he failed at the bigger picture by not killing her before she could infect others, and how now he has grown – now he saved thousands of people by killing one good person. He consoles himself with that fact, but it’s not enough, and he has a tearful breakdown.


And then Kiritsugu was a utilitarian.

Final Thoughts

The Good:

This one kind of sort of makes up for the last episode. We see how Kiritsugu develops into the pragmatist he is now, and how he might have arrived at the conclusion that “all violence is bad”.  We get to see Natalia as a human being instead of this paragon of all that is good – at the very least, we see that she has doubts, that despite what she says about only being in it for the money, underneath it all she has some idea of right and wrong and tries to be a good person despite being in a profession that ranks just below “zombie” and “Nazi” in terms of whether fictional characters can kill them with no remorse. And the part in the end does a good job in making you feel bad for the situation she and Kiri found them in, with a nice amount of ambiguity as to whether they both knew that Kiri didn’t have a plan to both save Natalia and prevent the zombie outbreak and Natalia was just facing death with dignity, or whether Kiri simply saw the line and was assuaging Natalia so she wouldn’t suspect anything. If the latter, then I’m going to have to award him another round of Renegade points. This was delicious complexity and character building.

Complexity and character building GOOD.

The Bad:

SHOW WHY ARE YOU SO BAD ABOUT NOT TELLING US ABOUT THINGS WE SHOULD KNOW.

Mystic Codes are indeed personal weapons. This is a thing that would have been helpful to know, but doesn’t particularly hurt us if we don’t. Origins are like the “base type” of magic. This is a thing that we can pretty much guess from context. The “Mage crest” that Kiri now has implanted in him? You would not be able to tell or guess from anywhere that it is basically an archive of all the research and spells a magical family has accrued over the generations. If your grandfather spent 15 years developing and mastering a spell, it allows you to master that spell at an accelerated rate. Also, it can only be physically transferred to one person at a time. There are two implications of this:

One is that Tokiomi and by extension the mage community are no longer idiots for that “only one inheritor” rule. Since it’s not a cultural or societal rule, but a physical limitation. It is literally not possible for two people to inherit the family magic in any meaningful capacity, so the act of giving Sakura away in and of itself is no longer bad. Now, giving her up to the family whose special magic is rapeworms, on the other hand, that’s still dumb. But we can no longer hold putting Sakura up for adoption against Tokiomi. If she had been given to any other magical family lacking an heir, everything would have been hunky dory.

Two is that Kayneth, in a way, is also right in the first episode. A magic family spanning twelve generations will naturally accumulate a much higher amount of spells and research and basic fundamentals than a magic family with only three. Thus, on average, someone from an ancient line will in fact have a higher upper bound on magical ability than someone from a less old lineage. Of course, the law of large numbers isn’t very useful when the populations in question are tiny, so Waver is also right in that just because you have a higher upper bound doesn’t mean you will achieve to that level, just that it is there if you make the effort. But this is skirting around the real conclusion that should be drawn: the scariest thing isn’t someone who is talented and privileged, nor someone who lacks talent but works hard. Rather, it is the person who has talent and privilege and still works hard anyway.

So really, Mage Crests should have been explained because that would have made two fairly important characters seem less idiotic.

The Ugly:

FUCK YOU, SHOW.

Seriously, why do you insist on handing the mages the villain ball here? We see Kiritsugu and Natalia gun down so many mages, and we hear Kiri say “they were all just my dad, sacrificing people for their own gains” – except Papa Emiya DIDN’T SACRIFICE ANYONE. You know this because when the thing with Shirley started, he came into Kiri’s room asking if Kiri entered his workshop. That is, he DIDN’T KNOW. Maybe those other mages were intentionally malicious as opposed to simply marginally negligent. But the fact that you use Papa Emiya as the ur-example naturally sheds doubt to the validity of your stated claims.

I guess I’m a tad jumpy about this because after a long spell of gradually taking their side in the argument due to it making a lot more sense, I will soon become a gun owner. And every time something bad happens, be it Columbine, V-Tech, Aurora, Sandy Hook, what have you, it seems like people always want to enact restrictions on the law-abiding gun owners who didn’t do anything wrong. They’re not the ones going out on shooting rampages. They’re not the ones sniping random people. They’re not the ones taking other people’s things by threat of force. They just happen to possess the means to kill things which can be used for evil (like shooting good guys) or for good (like shooting bad guys). Yet every time something bad involving guns happens, the common media and cultural treatment is that this is a problem with guns (which are inanimate objects until directed by a sentient hand) and with gun owners who think having their toys is more important than THE CHILDREN (never mind that nothing proposed would have prevented any of the school shootings) rather than the specific bad people who use the guns to do bad things.

Similarly, here we are just being told that mages for the most part are uncaring folks who abuse the fact that they have magic to treat muggles like their playthings, even though pretty much none of the standard mages we’ve seen have done anything of the death-warranting caliber. Seriously, out of Tokiomi, Irisviel, Kayneth, Sola-Ui, Waver, Zouken, and Papa Emiya, only the last has done anything close to evil. Emiya had a lab accident. Kayneth simply has a justified superiority complex. Sola-Ui can be argued to be addled with magic love. Tokiomi just wants both his girls to be magic heirs and failed to realize that House Matou’s family magic involves rapeworms. Iri and Waver are downright heroic. Notice that Kariya and Rinnosuke aren’t included because they are not standard mages, but even if you do – Kariya just wants to save Sakura. That’s a good goal. Rinnosuke, on the other hand, was a lunatic and a mass murderer, but he would have been a lunatic even without magic.

In any case, magic doesn’t kill people, people kill people.

So dammit show, why do you insist on making all the mages out to be bad people for whatever reason with only Waver as the singular nice mage?

Until next ep.

Let’s Watch Fate/Zero, Episode 18

February 9, 2013

Distant Memories

Flashback to a beach…and it’s a young Kiritsugu! Who everyone calls Kerry! He’s quite the cool guy too, diving off cliffs like it ain’t a thing. And he has a GF named Shirley? Or maybe it’s his sister? She picks him up and tells him a story about their island, and how the gods are dicks – the island is named after a crab, because there was this one family who was very poor and so could not afford to spare any food as offerings to the gods, so the gods turned the family’s eldest daughter into a crab.


Your gods are so petty. And tiny.

Kiri doesn’t like this story, which amuses Shirley. We learn that Kiri is actually a transplant here, since they call him “Kerry” because the closest they could get to his name is “kerrytoogoo”.

Cut to Kiri’s house, where we find Papa Emiya. Papa Emiya grows flowers…that don’t wilt? Oh, right, daddy’s a mage. Who stops time. And tries to apply same theory to humans. And Shirley’s also kind of managed to learn a little by imitation. Kiri wants to learn, but dad says he’s not ready.


One day, Kiritsugu, everything in Za Warudo will be your kingdom.

At the local church, we learn that the Father doesn’t want Shirley to keep learning magic. He invites her inside, and we learn that he’s really also speaking on behalf of the villagers, who are suspicious of the Emiyas and don’t want her to keep working there. He gives her a magic dagger for luck and protection.  Shirley disagrees though, she thinks the magic is pretty awesome. It’s not normal, sure, but it’s interesting and can lead to some really groundbreaking stuff

Shirley visits Kiritsugu again, and while using her new magic dagger to cut a melon and nom it, confides that she thinks Papa Emiya is setting Kiri up to be his successor. She says his medicines can eliminate death, but she’s already plateauing, being limited by talent and relative newbie-ness. Cut to her flower, which has died. It’s all on you, Kiri! She then takes him to the local lagoon.


Wait, is that the local Makeout Point? Oh Shirley you’re so gonna die in this flashback.

At the lagoon, she pops the question to Kiri: “What do you want to be when you grow up?”

Kiri gets flustered and stammers that it’s a secret. Shirley shrugs, saying that in that case, she’ll just have to wait and see what he will become. Until then, she’ll stay by his side.


ALWAYS I WANNA BE WITH YOU MAKE BELIEVE WITH YOU LIVE IN HARMONY HARMONY OH LOVE

Next norming. Papa Emiya wakes Kiri up with a grumpy expression on his face. Apparently someone went into the workshop, and he’s asking if it was Kiri. Kiri says no, he never did that. Papa Emiya considers, then warns him not to go into village – or better yet, just stay inside the house.

Hours pass. Kiri notices that Shirley’s late. I guess the villagers have finally decided to burn the witch?

Naturally, Kiri decides to disregard Papa Emiya’s advice and goes out to find her. The local kids haven’t seen her, and they’re acting too calm for some kind of witch hunt…unless that’s what they want him to think. Anyway, she’s also not at home. Cut to a bleeding chicken.


WRYYYYYYY

Shirley’s been possessed by a daemon or something. She turns around, recognizes Kiritsugu, and cries that she just wanted to show Papa Emiya’s research to the village, but it doesn’t work. I guess she drank the time-stopping potion? Anyways, she’s sliding the dagger to him and asking for a mercy kill. Well, at least she has the good sense to ask him to do it before she loses control to the possession. Which places her above, like, 90% of all characters in fiction ever.


Isn’t it sad, Kiritsugu?

Cut to night time. Priest comes across the scene and tells Kiri to stay inside while he goes to tell the village about Shirley. Kiri waits, still visibly shaken, when suddenly zombies.


See, this is why you should just leave anyone 4 dead.

Eh? I thought it was just Shirley who got mutated by the Emiya potion. What happened to that guy? I guess she bit him before Kiri found her? A trip to wiki later, I find out that it’s actually Kiri unable to kill her, thus she got out and started biting people. And upon further rewatch, I’m now seeing that it was very poorly harmonized. You get the scene of Shirley screaming and begging Kiri to kill her before she loses control, and a closeup of Kiri’s eyes widening, but the next scene is just Kiri showing the local priest to where he found Shirley and the chickens, along with the dagger that, for something so important, is only onscreen for like half a second to show that it has no blood and thus Kiri did not perform the mercy kill. Priest tells him to stay put while he goes to inform the village.

God dammit Kiri. Understandable given he’s just a kid at this point, but God dammit Kiri. Seriously, any of my friends reading this: if we are in a zombie apoc or whatever, and I get bitten, please just give me bullet to the brainpan squish kthxbai.


Just like that time back in ‘Nom…

Soon enough, everyone is undead, including the village church priest. But fortunately, containment units arrive, bearing cargo…deadly cargo. We see mages killing it with fire and pilgrim looking dudes killing things with knives just like the ones Kirei uses.


Mustang who?


Hell yeah, stake what your Father Anderson gave ya.

Anyways, Kiri runs away, but zombies close in on him when suddenly a shotgun toting chick save him. I think she’s supposed to be a younger version of the lady who gave him his anti-magic bone bullets. She dresses similarly and has a similar voice, anyway. She explains that Patient Zero (Shirley) was what is called a Dead Apostle, and that everyone who is bitten by her comes back as a zombie, and that there’s actually two groups trying to control the zombie outbreak, Church Executors (who will kill everyone who they think have their blood drunk) and Mage Association (whose priority is to erase evidence of magic from muggle eyes). Anyways, she’s a contractor for the Mages, hired to find the a mage who caused the outbreak and put them down.


Mission: Search and destroy.

“Do you know anything about this mage?” she asks. Ooh boy. And after a bit of deliberation, he says yes, but also that there’s a magical barrier that stops enemies from entering, so he’ll handle things.

Ah, like you handled Shirley from before, right?

Anyway, cut to Emiya residence. Kiritsugu finds Papa Emiya who’s busy burning research notes. “Why were you researching Dead Apostles?” Kiri asks. Papa Emiya replies that it was just a theory he had, and notes wryly that Shirley managed to disprove his hypothesis earlier and bloodier than he was hoping for. We find out that House Emiya is also looking for The Root. “So were you going to turn me into one of those things, daddy?” Papa Emiya is taken aback before being all like “of course not! you’re my son!” Anyway, it doesn’t matter now. This was just an accident, and they must escape. He’s hid a motorboat for that purpose, so just come on and-


Oh, so now that you have the balls to use it…you use it on someone who didn’t deserve it

…he just killed daddy.

OK, seriously? This is why kids are fucking stupid and should not be trusted with anything. Why the hell did you not just escape with him? Was it not obvious Papa Emiya’s research was, even if that wasn’t his actual goal, hugely beneficial to humanity at large? Or that it actually was an accident and not Papa Emiya’s fault? Or that he wasn’t even thinking about human test until his research assistant jumped the gun and zombified herself? Seriously, the blame chain here goes Shirley for being genre-blind and using an untested magic potion on herself when she knows that her own abilities are highly limited, then to you for not giving her the Emperor’s Peace when she specifically asked you to do so, then to you again for going to the priest who’s just a normal human instead to daddy the mage, then maybe to Papa Emiya for negligence, but even that is arguable because honestly who expects their research assistant to fail middle school lab safety 101 “DO NOT EAT THE LAB MATERIALS”? You can’t even do the Unit 731 argument, because while Unit 731 did all kinds of body horror experiments on POWs to discover new ways of germ and chemical warfare, Papa Emiya was researching fucking immortality. Even if he falls short of his goal, do you realize how fucking extended longevity would be? Shit, Kiri, If hell exists in the Nasuverse, I hope that your punishment is to be strapped to youtube and forced to watch videos family funerals for eternity. Every grandparent who went to the light, every dog who left before their time, that’s what you fucked up, Kiri.

Anyway, strange lady shows up with a gun, and Kiritsugu insists on finishing the job. We end on the two of them leaving on her boat. Lady says that the barrier wasn’t as strong as Kiri made it out to be, and Kiri replies that that she’s a good person, but he couldn’t take the chance of Papa Emiya escaping, so he had to go by himself to at least incapacitate him.

Final Thoughts:

Upon hindsight though, this episode was pretty decent from a technical standpoint. Adds some much needed insight to Kiritsugu’s character, from how he started out as a happy-go-lucky kid who got traumatized, resulting in the sulky cynical warrior of today. Now, again, if only they’d gone and sprinkled bits and pieces of that earlier so we’re not getting this just now… I swear this show has been terribad at developing its main protag and antag, but then again, that’s a failing of the show, not this episode. Anyway, there was also some nice bits of callbacks to snippets they showed you in the beginning, like the lady who made Kiri’s anti-magic bullets, to some foreshadowing imagery, like going from this


Strangely vivid…

to this


NEEDS TABASCO SAUCE

Or the story about the girl being turned into a crab by the gods kind of somewhat sort of mirroring Shirley being turned into a zombie by magecraft, even if the two situations are NOT AT ALL EQUIVALENT except in the most general of terms.

Anyway, thematically…EMIYA KIRITSUGU YOU FUCKING FUCKTARD. What was wrong with your dad’s research, exactly? It just involves zombies, and since this show takes place in the 90s, before everyone had internet, the idea of “messing around with anything involving undead = BAD!” hasn’t sunk in to the collective consciousness yet, which makes this no different from any other form of medicinal research. Shit, the zombie outbreak wasn’t even Papa Emiya’s fault. And what the hell, show? Why are you playing this for just desserts instead of idiocy?

Remember in The Empire Strikes Back, how everyone pretty much agrees that it was a bad idea for Luke to go run off before his Jedi training with Yoda was complete? And how, after it was all said and done, it turns out he could have stayed with Yoda, literally nothing would have changed on the Han-Leia-Chewie side of things because he got there too late for anything but a duel with Vader? And then when he finally returns to Dagobah, Yoda ended up dying of age anyway, and it was pretty much just a fluke that Luke managed to turn Vader enough to toss Palpatine down a vent shaft? And even then, there was literally decades of the New Republic fighting with Imperial Remnants and hidden Dark Side practitioners before everything finally got settled in…until the Yuuzhan Vong came along, anyway? And Luke came out of it humbled and wiser, with an understanding of the consequences for his actions?

Luke Skywalker is how you let a protagonist make mistakes correctly. Suboptimal choices should have consequences and be portrayed as a result of failing. Because Luke went to confront Vader before he was ready,he was unable to complete his Jedi training and lost his hand, and that’s only because he was hotheaded and impatient. Afterwards, he learns to be patient and develops the proper mindset to become a master. Here? Kiritsugu was unable to mercy kill Shirley because he’s a kid and that’s a hard thing for a kid to do. Fine. Afterwards he rejects that this was his fault, or Shirley’s fault, and instead decides it was daddy’s fault and kills him before leaving with some mysterious lady whose only saving grace was that she was shooting zombies instead of stabbing them like the Church or burning them with fire AoE spells like the Mage Association. Again, if this was portrayed as a flaw on Kiri’s part, fine. But the show does not do this at all.

If this was supposed to be “some knowledge man was not meant to know”, fuck that noise too. There is no such thing as evil knowledge. I do kung fu. Kung fu teaches me the knowledge of killing a man with my bare hands. If I use that knowledge to kill babies, that’s me being evil. If I use that knowledge to kill someone who kills babies, that’s me being good. The knowledge itself is kinda neutral here.

Between them playing Kariya’s justified vengeance quest as craziness, adult!Kiri’s “violence is inherently evil,” Kirei’s utter fail at having a character, I seriously have to ask, what the hell is wrong with the writers? How do they give us cool guys like Lancer (who retains his status of “most heroic character in this show”) and Waver (who is, really, the Master with the most sympathetic goal now and the least dissonance with that goal) or understandably flawed guys like Rider (demonstrates the good and the bad side of rule by strongman) and Saber (demonstrates the good and the bad side of striving to be the paragon) and Archer (making us question whether you can really call it arrogance if the guy can actually back it up), while simultaneously delivering Team Caster (bumbling assclowns who belong in Fate Stay Night) and Kirei (still has all the personality of a block of dried ramen and what development is dumped by leaps instead of organically grown) and Kariya (HE HAS A GOOD GOAL why are you making him evil and crazy?) now both adult and kid Kiritsugu (OMG SUCH A FUCKTARD)? I swear, if this turns into some bullshit where “that was the day Kiritsugu Emiya started saving the world from the messes made by uncaring and callous mages”, I might just ragequit this show too, at least once Rider inevitably goes out in his blaze of glory.

tldr version: this show’s morality is bullshit.

Until next ep.

Let’s Watch Fate/Zero, Ep 17

February 8, 2013

The Eighth Contract


My name is Kirei Kotomine. You killed my father. Prepare to die.

Kirei finds daddy bleeding out in the church. Tokiomi is pissed about this. This is unpermissable! He assures Kirei that vengeance will be had. As Kirei leaves, Gil comes to continue whispering in Kirei’s ear. Why didn’t you tell Tokiomi earlier? You’re dad just died, why are you not at least pretending to be upset? Is it because you didn’t kill him with your own hands?

…ok where the hell did that come from? We’ve been given nothing to indicate that Kirei has even a rocky relationship with his father, much less hates him. Dammit Type-Moon how is it you are so good at doing these Servant battles that are so focused on detail and character motivations but suck so hard at developing your human characters? This guy’s only your main antagonist, you don’t think it’s important to set up changes to his character before you go and change his character? Seriously, Kirei has never been shown to be anything but obedient and stoic. It takes more than a little pseudo psych scan by Gil to sell the idea that he’s even slightly miffed about what’s happened in the Grail War so far. Much less has the daddy issues to want to kill daddy with his bare hands. Sheesh, WTF is up with the pacing in this show?


Wait, I was supposed to have character developments? Like, multiple? Why didn’t anyone tell me?

Anyway, cut to Irisviel, who is lying in the middle of a casting circle, getting healed. Saber senses something, but it’s just Maiya, coming in to report that Tokiomi wants to ally and is calling a meeting at the Fuyuki Church. Maiya says Tokiomi is meticulous from the start, and Kirei’s probably his pawn also. Since Kirei poses the greatest threat to Kiritsugu, they should accept the meeting.

…eh? I don’t see what any of these reasons you cited have to do with the question “should we accept the meeting or not.” Now, Tokiomi being a meticulous planner should be a reason not to accept, since that means he probably has some kind of trap waiting for you and as far as we’ve seen, Kiritsugu is still gone so you can’t rely on his brutal combat smarts to save you. Kirei being his pawn should also be a reason not to, because if the two of you (Iri and Maiya) couldn’t beat Kirei before, you sure as heck won’t be able to beat Kirei + Tokiomi. Saber is irrelevant here, as Archer is still in the game.

Now, if someone who’s actually fought on a modern battlefield (like Maiya) points this out, and someone with cultural insight into mage society (like Irisviel) replies that Tokiomi’s pride as a magus won’t let him do that, and then they go, fine. But smart-at-fighting-idiot-at-philosophy Kiritsugu isn’t here, so they do a right-for-the-wrong-reasons.


Wait! Hold on, I have the slightest feeling…nah, it’s probably fine.

Cut to Tokiomi is visiting Aoi and Rin. He leaves her with the words of advice, that she must always try to keep the church in her debt, and that all members of the Tohsaka family must always try to get the Grail. Before he goes, he gifts her with a spellbook.

Tokiomi you’re gonna die aren’t you.

At the church, Tokiomi and Kirei meet with Iri, Saber, and Maiya. Tokiomi explains his reasoning – right now, there’s only 3 original families left, by which he refers to the three magical houses of Einzbern, Tohsaka, and Matou who came up with the original Holy Grail summoning ritual, plus one outsider, Waver Velvet. Tokiomi says they can’t let an outsider claim it. Iri says allying is ridiculous. But, if they want to mutually agree on what order to fight each other, then she could find that acceptable to fight Tohsaka last, upon two conditions: 1. Tokiomi gives them all information they have on Rider and Waver, and 2. Kirei is fully removed from the team. There is a great deal of animosity between Einzbern and Kirei, Iri says. As long as Kirei is part of Tokiomi’s team, she can’t trust them.

Yeah, you could say Kirei’s kind of been a pain in my side…

As Iri and co leave, we find that Kiri has given Saber a motorcycle. She rather likes it, as it’s closer to a horse than a car, and offers to scout ahead. Meanwhile, in the car, Iri is weakening and slumps on Maiya’s shoulder. She tells her to drive on, otherwise Tokiomi will catch on that there’s something wrong. Iri tells us she’s a homunculus created solely to serve as a vessel for the Holy Grail, because her grandfather wanted it to have a survival instinct? Wait, this helps how/why? I guess this means when the Grail finally materializes, it’ll pop out of her so Team Einzbern/Emiya gets first crack at making a wish? Dammit show, a sense of mystery is good (as many creepypastas have proven), but sometimes you have to be explicit about things! Anyway, Kiri left Avalon in her to slow the breakdown of her body. Iri confides that she tells Maiya this because she knows Maiya won’t pity her. Maiya promises to protect her to the best of her ability.


Soft kitty, warm kitty, little ball of fur…

Meanwhile, back at Tohsaka Manor, Tokiomi notes with annoyance that he wishes Kirei would have told him of his dealings with Einzbern, and apologetically asks that Kirei withdraws officially from the Grail War. As Kirei gathers his things, he sees his dossier of Kiri and hesitates. Right when he’s questioning whether he still needs to go, Gil appears to tempt him again.

Kirei laments that he’s spent his whole life looking for one thing. He’s wasted so much time for nothing, but now he’s so close. Gil asks him why he hesitates if he’s still close. Kirei answers that he has a feeling this will destroy him. Then he gets a phone call. Gil materializes next to him and starts all creeping on him, listening in that they have found where the Einzberns are hiding. Gil laughs, seeing that Kirei had planned to continue all along. Kirei nods, then pulls back his sleeve.


…OMG KIREI HAS AN ARMFUL OF SPELLS.

Flashback. As he lay dying, Risei wrote the words “John 4:24” in his blood, and gave all his Command Spells to Kirei. At least…I hope it was some kind of ritual, and not something out of Storm Riders where he had to cut off his own arm and switch it with daddy’s. Anyway, next comes a round of beating around the bush. Gil’s all like, so…if you’re gonna re-enter the Grail War, Tohsaka Tokiomi is going to be your enemy. Which means now you’re standing in a room with his Servant. Isn’t that dangerous?

Kirei smiles and responds that he knows something Gil doesn’t. He then sits down to explain to us – er, to Gil – everything about the Grail. Namely, that it was supposed to open a path to the Root (which I think is supposed to be the source of all magic) through the death of 7 Heroic Spirits. All 7. That’s why Tokiomi has been conservative with his Command Spells, so at the end he can force Gil to suicide.

Gil isn’t so much shocked as interested that noting that by pretending to be loyal to him only to backstab him later, Tokiomi has bumped himself up from boring-tier to amusing-tier. Although still not impressed-tier. Gil’s still trying to draw out the request from Kirei, though, pointing out that even if Tokiomi was planning to betray him, he’s still Gil’s mana source, and if he turns his back on Tokiomi, he won’t have much time in the world…unless there was a free Master with no servant. Possibly standing right in front of him…and Kirei cuts the crap.


FINE. Okay? Fine. I’ll say it. I want you. Now let’s get it on like Heath Ledger and Jake Gyllenhal.

Cut to Tokiomi and Kirei having tea. Tokiomi does not suspect a thing. He’s actually planning on taking a flight out, and as he leaves, he states that he has nothing but pride for Kirei, who’s performed admirably as his student. He hopes Kirei will continue to have strong ties with House Tohsaka, that as his senior student, he will watch over Rin and help her learn the family magic. He also hands over his will, naming Rin as successor to Tohsaka, and Kirei as her guardian. Kirei accepts all this. In the meantime, Tokiomi also gives Kirei an Azoth dagger, to prove he graduated from Tohsaka.


You gon’ get shanked.

Just like daddy,you never understood me, Kirei says, as he stabs Tokiomi. Dammit Kirei, it’s not just daddy, none of your audience really understood you either. Gil materializes again, noting that for such an accomplished mage, Tokiomi went out like such a puss. Kirei shrugs. He was in his own home, with his own Servant dematerialized right there. Who can blame him for feeling safe?


Et tu, Brute?

We end on the eponymous eighth contract, between Kirei Kotomine and Gilgamesh, King of Heroes.

Final thoughts:

Hot damn, again, how is this show so good at character study of the Servants but so suck at doing the same for their main characters? Seriously, Type-Moon, would it have killed you to show us a little more about Kirei or Kiritsugu, to sprinkle some tidbits about these two guys throughout your series so we actually form a connection with them? Shit, they’re only, you know, the main character and his antagonist. We had 15 episodes before we finally got confirmation that Kiritsugu is planning to ask the Grail for World Peace (or something like it), and now you give us 16 episodes of Kirei displaying the emotional range of Kristen Stewart before now springing a bunch of daddy issues on us?

Again, look at Avatar (kung fu magic, not CGI smurf-cats). Crossroads of Destiny. That’s how you do a proper seduction to evil. This? Kirei went from “yes dad, I’ll investigate” to “yes Tokiomi, let us cooperate like daddy said” to “huh, Kariya is interesting” to “I HATE YOU DAD AND TOKIOMI DIE SO I CAN FIND MYSELF.”

I watched the Rirouni Kenshin movie on the plane to China a couple weeks ago. I found Kenshin to be a giant pussy with inconsistent morals, and wondered why the show isn’t about Hajime Saito instead.

Here I am finding Kirei and his metamorphosis into the main antag bland, and Kiritsugu and his idiotic ideals barely tolerable only because there is a literal deus ex machina, and wondering why the show isn’t about Waver and Iskander instead.

Until next ep.

Let’s Watch Fate Zero, Ep 16

February 2, 2013

The End of Honor

Risei Kotomine talks with a man in a wheelchair, who is revealed to be Kayneth. Risei thanks him for his help, and Kayneth plays it cool. He’s all like, no probs dude, happy to help on behalf of the Mages Association. Now about that deal we made…

Sola clings to a fence, watching the departing Servants happily – her bond with Diarmuid will be complete once she receives her final command spell. Wait, how does that work? Saber killed Caster, and Kiritsugu killed Rinnosuke. There’s like no amount of rules-lawyering that gives them credit for the victory. Suddenly – SMACK! She falls to the ground, but her right arm is still on the fence? Oh shit, Maiya just cut her arm off, preventing her from using any of her Command Spells to summon Lancer! Sola starts to freak out, but Maiya knocks her out before she could make a scene, then makes sure to mangle the hand via judiciously applied bullets.


Sola-Ui realizes that her obsession with Diarmuid might have gotten a little out of hand.

Kirei leaves Kariya in front of a door. He knows that it’s a betrayal of the original arrangement (that is, help Tokiomi win), but he feels excitement from this.


You’re a real bro, Kirei. Truly, you make Amon grateful.

Inside the church, we see what the dealings were. Risei acknowledges that Lancer was instrumental in fighting Caster. Kayneth presses the issue – that he gets a Command Spell. Risei takes a dig at him, saying that while Lancer’s role was important, he’s not quite sure that Kayneth even counts as a Master at this point. After all, Sola-Ui is the one who 1. owns the current command spells and 2. provides the mana to keep Lancer in this world. Kayneth shrugs it off, saying the Master Servant pact was between him and Diarmuid, and that of the two, his is the name registered as a Mater. Risei shrugs, then begins the transfer, which apparently works by Communion as Risei tells Kayneth to drink of his blood. There is some power aura going around, and Kayneth lifts his hand, observing with glee the singular Command Spell inscribed upon the back of his hand. Man, the custody battle’s gonna be hella awkward.


SWING HEIL!

BLAM.

Kayneth shot the Father! Using a gun! Oh Kayneth, even you see that muggles do it better. I guess this is to prevent others from getting a Command Spell?


What was that about your pride as a mage again?

Cut to Lancer finding a pool of Sola’s blood. Then cut to Kayneth raging at him like he’s a misbehaving puppy. He calls Lancer useless and pathetic, unable to even do the very simple job of protecting a single woman. Lancer apologizes profusely through this, trying to explain that since the pact was between him and Kayneth, he couldn’t sense Sola’s presence. Kayneth doesn’t accept this though, saying that because of this, Lancer should have tried harder and been more careful. His thoughts then turn more accusatory, and he accuses Diarmuid of purposefully letting Sola get closer to him, failing just like he did in his legend, that for all his vaunted honor and chivalry, one look at his boss’s wife and BAM adultery time.

Okay, seriously, Kayneth? Did you miss the part where Grainne laid a freaking geas on Diarmuid to compel him to elope?


I cannot wait for the point where this dog bites back.

This crosses a line for Diarmuid, and he tries to get his newfound Master to stop, but Kayneth raises up his pimp hand. He continues to scold Diarmuid, disdainful of how the Servant apparently still feels like he has pride left to wound. Not only Diarmuid’s pride was worth nothing back in his myth, Kayneth says, but it’s worth nothing now, as he can do nothing against Kayneth’s Command Spell.

Wow, Kayneth, you’re such a dick. I mean, yeah, I get that it’s your wife who’s been kidnapped with her arm cut off, but raging at your Servant and insulting him way past the point of motivational criticism isn’t exactly conducive here. Also, did you like not pick up an encyclopedia before summoning Diarmuid? Seriously, it was literally not his fault. The fae gave him the love spot, and Grainne laid a geas on him. Not exactly his fault here.

Anyways, Lancer detects something something before the tirade can go on. It’s Saber and Iri driving in. Iri notes that there used to be a magic barrier here as she and Saber step out, and then Lancer steps out to meet them. Sola’s gone, he says, and asks if they know where she is.

Saber says she doesn’t. She then draws her sword, stating she is here to finish their duel.

Dammit Saber, can you fight like a proper soldier for just one second? Although in her defense, she does note that at this point, pretty much all of the Servants are off recuperating, so there’s little chance of being interrupted. Plus at this point, Saber just regained used of her Noble Phantasm, while Lancer lost one of his, which indicates that she is at least thinking about these things and isn’t doing a Honor Before Reason.

This was the silver lining to the dark cloud that was Lancer’s day thus far. He readies his spear with a smile, saying her fighting spirit is the only thing that can calm his heart.


Lancer/Saber…secondary OTP.

They begin with gusto, and very quickly Lancer notes that even though Saber just got her Noble Phantasm back, she’s still not as quick and strong as before. He then notices that she is still not using her left hand in attempt to make the duel as close to how they left their previous fight as possible.

God dammit Saber.

Although admittedly, she has quite the strong arm too, if she’s one-handing a 2-3 kg longsword while decked out in armor. And I have to admit she is being quite the bro here. Diarmuid agrees, saying he is glad to have met her. If nothing else, he knows that with her, he can have a good old honorable fight.


Once more into the fray, to the last good fight I’ll ever know.

Kayneth watches from the sidelines, complaining about why Lancer doesn’t just up and finish Saber already….and then there is a clinking sound.


Look around you, Kayneth. Where are you? You’re in an abandoned warehouse, with the mage your mage could spell like. Look down.


What’s that on the ground? It’s a bullet. Look up.


Look up. I HAVE YOUR WIFE.

Kayneth is about to piss himself, and Kiri tosses a scroll at him. Kayneth picks it up and sees that it’s a Self-Geis Scroll – which I presume is some kind of magically binding contract. Sure enough, he reads them to himself, and the conditions are interspersed by scenes of Lancer and Saber’s fight. We see that Emiya has signed it already, and that it’s a magically binding contract that forbids him from employing any and all means from personally harming Kayneth or Sola. And it’s detailed too – it’s binding upon the soul, not just the body, so he couldn’t, say, set off a suicide bomb with the two of them in the vicinity. It’s also powered by the Emiya family crest, so as long as the crest exists and the Emiyas are recognized as mage, the contract will remain in effect.


Can’t kill me…ownage rights to the Willy Wonka factory…must kill…Albus Dumbledore?

Saber and Lancer has weapons at each others’ throats. Although I’d have to give the advantage to Lancer here. Saber’s already at her maximum reach, but Lancer still has a third of his spear left. If she wants to continue to stab him, she’d have to move right into his spear, but if he wants to stab her, he just needs to back away a little and poke.


Advantage: Ireland

They acknowledge the point, and slowly disengage in preparation for the next round when suddenly…


BLOODY HELL

Saber is surprised at this turn of events, and then we see what the conditions were for Kayneth. Yeah, anyone with two brain cells could have guessed it was an order to withdraw from the Grail Wars. The method, on the other hand…


oh. oh lancer. oh my heart. and your heart. but also my heart because it just broke just like yours did. oh diarmuid, you poor sweet child of summer. you deserved better than this.

In exchange for his and Sola’s lives, Kayneth is to use his last Command Spell to make Lancer commit suicide. And as Lancer begins to disintegrate, he looks back upon the Masters and delivers one last dying monolog of rage. He rages at Kiritsugu and Kayneth, at how their ambitions have sullied what was supposed to be an honorable duel between knights. He rages at how all he ever wanted was to serve honorably in this life, to find redemption for what happened between him, Grainne, and Fionn by fighting for his new Master and either winning for him or dying trying, but Kiritsugu would go so far to win that he would trample upon Lancer’s last wish, and Kayneth would go so far to save his own life that he went along with it. He rages at Sola, for being the second time he’s been screwed over by an unfaithful woman.  He rages at Saber, for the dishonorable way her Master ended their duel. He rages at how, to the mages, Servants are nothing but pieces for their game, and with his last breath he curses them. May whatever wish the Grail grants them be terrible and backfire horribly.


Fucking… what the fucking fuck… who the fuck fucked this fucking… how did you two fucking fucks… FUCK!

I think, in retrospect, one of the more heartwrenching things about this is how utterly right it proved Kayneth. All his pride as Diarmuid Ua Duibhne, First Spear of the Knights of the Fianna, literally did mean nothing compared to the Command Spell. Lancer was doing quite well in his duel, until Kayneth snapped his fingers and everything went to hell. The good guys lost. The assholes won.

And then, while everyone is stunned, another chorus of shots ring out, riddling Kayneth and Sola with bullets.


Holy crap Kiri, you pulled a “I can’t kill you, but Maiya can”.

Kayneth is in good enough condition to asks for a mercy kill, but Kiri shrugs, saying his hands are tied. Saber gives it to him, then walks off, saying that now she sees Kiritsugu for the vile man he truly is. She regrets being taken in by Iri’s support for Kiritsugu’s dreams and no longer believes he can save anyone.

Iri’s pretty pissed at him too, and this is super jarring considering she’s been super supportive and worshipful. She tells him with the most delicate little murderface going on that he owes Saber an explanation.


Guess who’s sleeping on the couch tonight…

Kiri is also taken aback until he realizes that this is actually the first time she’s seen him fight. He then explains that if you kill a Master, Servants can still link up with another Master before they expire, so he had to kill both Master and Servant simultaneously.

Iri is not satisfied. Talk to Saber, not to me, she says.

Kiri shrugs, replying that there’s no use explaining something like that to someone who thinks there are right and wrong ways to fight. And then he goes on his War Is Hell rant.

“See, just like so – just like you said, Iri. This great Heroic Spirit dares to think that the battlefield is better than hell. What a joke! No matter in what era, the battlefield has always been a veritable hell.

In the battlefield, there is no place for hope. What lies there is only cold despair and a sin called victory, built on the pain of the defeated. All those people who met there have wholeheartedly admitted the evil and foolishness of this act called ‘war’. As long as people don’t repent and don’t regard it as the most evil taboo, then hell would endlessly reappear in the world.

However, humans did not realize that truth no matter how high they staked their mountains of corpses. That’s because in no matter what era the courageous and fearless great heroes have always bedazzled the eyes of the multitude with their splendid heroic legends. Because of the wistful actions of those idiots and their refusal to admit that bloodshed is by itself evil, the essence of humans has stayed on the same spot since the Stone Age!”

Ok, Kiri, you are a fucking fucktard.

You cannot tell me there is no such thing as justified violence. You cannot tell me that defending yourself against someone trying to invade your home and kill your loved ones and steal your property is somehow shameful. You cannot tell me there is any fucking moral equivalency between the victim and the perpetrator. The Americans at Saratoga disagree with you. As do the Spartans at Thermopylae. The Mexican cadets at Chapultepec. The Sioux at the Black Hills. The Chinese at Nanjing and Shanghai. The Polish at Wizna. The Jews at the Warsaw Ghetto. The Russians at Stalingrad. World War II, you fucking shithead, the most classically unambiguous good vs evil war in the history of ever. No such thing as a just war? You do realize that it takes two to fight? Even if one side is the most evil, wicked, genocidal bunch of assholes, that means there is the other side who is being victimized by said assholes. You going to say that blood shed by these guys in the course of defending themselves still constitutes something evil in and of itself? So what, then, it’s morally superior to be a victim than defend yourself?

Fuck that noise.

I begrudgingly admit, Kiri, that you are at least partially right. There will always be evil in the world. There will always be those who use violence for ill. But Jesus do you not have the cause-effect relationship or the problem-weight right. First off, as demonstrated above, violence is not inherently evil in and of itself. Second, people are not violent because Heroes dazzle others in a spectacular display of the Truffaut effect. A few of them, yes, but more are violent because they are assholes to begin with, and most others are violent because they are being preyed upon by the assholes, and in real life, the most pragmatic (since you’re all about pragmatism,Kiri) way to stop that is to retaliate violently. Third, what exactly is the problem with heroes who use violence to save others, exactly? For a supposed analytical guy, you’re sure sucking at doing the very basic math of, say, Hua Mulan kills a couple thousand Huns vs the tens if not hundreds of thousands of Chinese civilians killed or raped or sold into slavery if she didn’t kill them, therefore killing the Huns is good. Heck, you do it all the time, and I don’t think you should loathe yourself for it. Or look at the hero you just sent to an ignominous end. How many people do you think Diarmuid Ua Duibhne saved during his own life to earn his reputation before that thing with Grainne? Not to mention here, where he not only didn’t kill anyone who didn’t deserve it, but he sacrificed his own chance at victory to save thousands of civilians.

And, so, as promised, SHUT THE FUCK UP KIRITSUGU YOU ARE FUCKING WRONG YOU FUCKING FUCKTARD BECAUSE DIARMUID UA FUCKING DUIBHNE. The only thing stopping me from being part of your hatedom and ragequitting your show like I’ve done for that godawful series Revolution is that unlike the libtards, the existence of a reality-warping epic artifact means that as long as you get your hands on it, you really don’t need to care about practicality.

Iri calms down a little, asking if Kiritsugu’s standoffishness against Saber is really just because he seems to hate all Heroic Spirits for inciting the public to Not Do That Really Cool Thing Called War. Kiritusug merely replies that being a warrior for justice the way Saber and some of the more “noble” Servants are won’t save world. Presumably he’s going to wish for world peace once he gets the Grail, but this can only happen if he actually gets his hands on the Grail, and the importance of this goal is such that he must necessarily murder every mofo in his way as efficiently as possible, without being choosy about his methods. Saber protests that committing evil to stop evil still makes you evil, but Kiri shrugs it off. Like the Operative from Serenity, he will take on all the evil and all the sins of humanity to create paradise, even if there is no place for him there. He walks off, leaving Saber and Iri to contemplate.


Bullet Action Jesus!

It’s daytime…and Iri faints.

Final Thoughts:

I know my problem with the end theme now. It’s a little too calm and smooth for a series involving the battle royale of seven of the most revered heroes of humanity’s history and legends and the inevitable tragedies that occurs within. And the end animation is almost exclusively about Iri and Kiri. Contrasted with the previous, where the vocals have more emotion, and the ending is pretty much all about the Servants, opening with Gil’s chess set, and ending with a series of artworks depicting the Servants in their life, all of which are based on actual classical depictions.

Seriously look at this. Beautiful, it is.

Saber’s is “How Mordred was Slain by Arthur, and How by Him Arthur was Hurt to the Death”, by Arthur Rackham.


Rider’s is “The Entry of Alexander into Babylon”, by Charles le Brun.


Archer’s is the statue of Gilgamesh at the University of Sydney.


Lancer’s is a statue called “The Tree of Love”.


Caster’s is “The Execution of Gilles de Rais”.


Assassin’s is from an artistic rendition of Hassan-i Sabbah


Berzerker’s…well, Berzerker’s is actually pretty revealing, so I’ll be putting it on once his identity is revealed in the series proper. But yeah, anime renditions of classical artworks for the win.

Anyways, I’ve already covered the thing with Kiritsugu’s philosophy. But I want to call out attention to another things this series does well – it makes everyone seem like people. And just like people, they’re not all good or all bad, but rather run through all combinations of good/bad people do good/bad things for good/bad reasons. Just look at the antags for this episode, Team Kayneth-Sola-Diarmuid.

Supplementary materials say that Kayneth and Sola were an arranged marriage, and while he loved her, she was less than enthused about the whole deal. So it’s very easy to understand why she’d fall right for the strapping dashing knight who leapt through time, even without his love spot helping it along. And yes, the whole “give me your command spells or I’ll break your fingers” thing was pretty evil, but it is still understandable why she does it. And with Kayneth, again, his berating of Lancer is way over the line, but given that he’s been noticing Sola giving Lancer the goo-goo eyes, it’s again understandable why he’d be so mean to the guy. And even though ordering Lancer to kill himself was a cruel thing, it must be remembered that he did it pretty much only for Sola, and despite all the things she did to him, he still cares about her and wants to save her.


Kayneth and Sola. Proving my belief that the worst thing isn’t evil people doing evil, but normal people doing evil things for good reasons.

Pity about the multiple rounds of dakka to the chest.

And pity about Diarmuid Ua Duibhne, who retains his crown of “Most Heroic Character Thus Far In This Series.”

This one is for you.

Until next ep.